NOTE 1
RAIN SPEAKS MY MOTHER TONGUE/ REZA HABIBZADEH
CRITIQUE & THEORY
THEATER OF DREAMS/ SHAHRAM GOLAMINI
RASHT ARCHITECTURE IN GUILAN AUTHORS’ WORKS/ TEXT & PHOTO: KOUROSH RANJBAR8
THE RELATIONSHIP BETWEEN POETS AND ARCHITECTS: HASA-SH’ER, GILAKI POEMS OF 
MOMENT/ REZA HABIBZADEH
GUILAN ARCHITECTURE FROM A FILM DIRECTOR’S POINT OF VIEW/ FARHAD MEHRANFAR

•NOTE 2
GUILAN PELAKEBAB, THE QUIET PASSING OF LIFE
•CRITIQUE & THEORY 
GUILAN VERNACULAR ARCHITECTURE/ MINOO KHAKPOUR
RAFIEE’S HOUSE IN ROUDBANEH VILLAGE, LAHIJAN, 1944-1945/ ANAHITA MOUSAVI, MARYAM CHEHRE ARA
THRESHOLDS IN VERNACULAR HOUSING OF GUILAN/ HESSAM ESHGHI SANATI
VERNACULAR ARCHITECTURE TRACES IN GUILAN’S HOLY SHRINES/ MINOO KHAKPOUR 

•NOTE 3
PANIR-ABIJ, A SIMPLE ANSWER
•CRITIQUE & THEORY
EMAMZADEH EBRAHIM, SOMEWHERE BETWEEN DREAM AND REALITY/ SHEYDA ETEMAD
TALESH FROM A PHOTOGRAPHER’S POINT OF VIEW/ TEXT & PHOTO: SHABAB GOLCHIN
MASULEH; HABITAT GROUNDEDNESS OR LOVE MAKING WITH NATURE?/ AREZOU KHALILI

•NOTE 4
ARCHITECTURE WITH A TASTE OF CHOCHAGH/ REZA HABIBZADEH, PHOTOS: HAMIDREZA AKBARI
•CRITIQUE & THEORY
SLOPED ROOFS/ HOMA JOURABCHI
HISTORICAL BRIDGES OF GUILAN/ KEYVAN SALIMI, PHOTOS: RENATA HASANI

•NOTE 5
DIRTY KEBAB, A RIGHT QUESTION

•CRITIQUE & THEORY
TAKING BACK THE STREETS FROM THE AUTOMOBILE/ POLSHEER ARCHITECTS PLANNERS ENGINEER
FROM BRIGHT NIGHTS TO STREET FUN;  NIGHTLIFE OF RASHT/ SAEEDEH GHORASHI

•NOTE 6
RUSSIA IN VAVISHKA

•CRITIQUE & THEORY
TASIAN: MELANCHOLY IN RASHT/ MORTEZA NIKFETRAT
TORABI’S HOUSE, RASHT, 1929/ HOMA JOURABCHI

•NOTE 7
STUFFED FISH