Liu Jiakun, a prominent Chinese architect from Chengdu, was recognized in 2025 as the winner of the Pritzker Prize, the world’s most prestigious architectural award. Often referred to as the "Nobel of architecture," this honor was bestowed upon him for his thoughtful and human-centered designs, which blend creativity, simplicity, and a deep respect for the environment and local culture. Jiakun is the second Chinese architect to receive this award after Wang Shu in 2012, a milestone that underscores China’s growing influence in shaping contemporary global architecture. His works are not only aesthetically admirable but also distinguished for their commitment to enhancing community life through sustainable and functional designs.
Born in Chengdu, a city in southwestern China rich in history and lush nature, Liu Jiakun’s surroundings profoundly shaped his architectural perspective. He completed his education at Tsinghua University, one of China’s most prestigious institutions, before establishing his own architectural studio in his hometown. There, he pursued a unique approach rooted in local traditions while addressing modern needs. From the outset, Jiakun sought to integrate architecture with nature, a goal evident throughout his projects. He believes architecture should serve as a bridge between humanity and the environment, rather than a barrier separating them.
One of the defining features of Liu Jiakun’s architecture is his use of local and sustainable materials. Instead of relying on expensive industrial materials, he employs resources like wood, bamboo, stone, and local brick, which are both climate-appropriate and reduce the carbon footprint of his projects. This approach not only cuts costs but also preserves the cultural and visual identity of the regions where he works. For instance, in the Huaming Village reconstruction project in Sichuan Province, he utilized traditional construction techniques and recycled materials to design homes that were modern yet harmonious with the village’s historical fabric. This initiative not only improved residents’ lives but also revitalized the local economy by attracting tourism.
Minimalism is another core principle in Jiakun’s work. He avoids clutter and unnecessary ornamentation, focusing instead on clean lines, open spaces, and natural light. This design style brings tranquility and balance to his spaces, allowing users to forge a deeper connection with their surroundings. For example, in designing a museum in Chengdu, he used large glass walls and simple wooden ceilings to create a space that invites visitors to reflect on the relationship between the artworks and the natural world outside. This simplicity, rooted in Eastern philosophies like Zen, lends his creations a timeless quality.
Attention to cultural and social context also plays a vital role in Jiakun’s architecture. He believes every project should reflect the needs and values of the community it serves. This perspective shines through in his rural reconstruction projects, where he closely collaborated with local residents to ensure his designs were both practical and supportive of their cultural identity. This community involvement has allowed his works to become an integral part of people’s daily lives rather than imposing an external concept.
Sustainability is another cornerstone of Liu Jiakun’s architectural philosophy. In a world where climate change poses a significant challenge, he delivers designs that minimize environmental harm. From rainwater harvesting systems to natural ventilation and insulation with local materials, his projects exemplify green architecture that could serve as a model for the future. His commitment to sustainability is evident in projects like the "Rain Garden" residential complex in Chengdu, where he incorporated vertical gardens and water recycling systems to create a self-sufficient, eco-friendly space.

 

A notable aspect of Jiakun’s work is his ability to instill a sense of belonging and peace in his spaces. He believes architecture should transcend mere functionality and become an emotional experience. This philosophy is realized through his clever use of light, shadow, and open spaces. For instance, in a private residence on Chengdu’s outskirts, he included internal courtyards and large windows to craft a space that connects residents to nature while preserving their privacy.